Its installation Café Little Boy, a room with green walls turned into paintings of schoolchildren, is still in place at the Centre Pompidou, in the floor of the Musée National d'Art Moderne. So we can still write with chalk scribbles or words of love, what we want, this is the only and generous principle of this choral work designed, according to a ruin of Hiroshima, Jean-Luc Vilmouth, situations enhancer artist, exchange environments and breathing between people, bodies, souls, vegetation, climate. He died in his sleep on December 18th in Taipei. His taste for the transmission had made him an admirable teacher who marked generations of contemporary artists passed through the school of Fine Arts in Paris, where he taught since 1997 in a "facilitated workshop-laboratory, in his own words , a desire to extend the practice field by crossing differences, miscegenation, contamination ". The architect Philippe Rahm, Jean-Luc Vilmouth invited once to intervene in the company of Marie Darrieussecq, remembers it as a "workshops, the most forward-looking of Fine Arts, one of the least stuck on traditional formats ". This teacher's career, Jean-Luc Vilmouth had begun at the School of Fine Arts of Grenoble, with his longtime partner, the artist Ange Leccia, in 1985. It was here that Philippe Parreno, Pierre Joseph or Dominique Gonzales-Foerster, so students forge a lasting friendship with him. "Without him, I will never become the artist I have become," says DGF, which was once his lover. This is in terms of its influence on the golden generation of French contemporary art, that of the 90s, that is best measured the importance of Vilmouth, much more than that of its market presence. Due to (or through) "his shyness and elegance, discretion and modesty," said DGF still, he was not of those who are required, will overexpose if autopromeuvent.
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